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Sweat The Technique: A Few Words On Weight Training

Here is Our Favorite Article from the October Issue of Saskatoon Wellbeing Magazine.

Saskatoon Wellbeing’s debut issue back in January featured professional bodybuilder Kai Greene, a noted positive thinker, in a piece we called Kai Greene and The Power Of Mind. As an inspiration to the magazine, we thought it was time to revisit the man, who, aside from being the master of his thoughts is also the master of his physical movement inside the gym. As he likes to say, “The physical you is a walking manifestation of your mind.” So it’s time to focus, all of you men and women who lift weights.

Proper form is essential. It allows you to load and maintain the stress of the weight on the muscle you are attempting to build. Instead of perfecting their form on each exercise, many people add more weight as soon as their strength progresses and then their form begins to fail. That’s assuming they had any to begin with. When the stress is diverted from the targeted muscle area to the joints and the joints start to assist that muscle group, muscle becomes stubborn to grow, even if you are still taking sets to failure and staying within the correct rep range. You may get a bit stronger. You may even see positive changes at first. But, over time, you will not see the gains in the mirror that you could be seeing.

As much as anyone in the world, Kai Greene has made the most out of his physique through an intense and focused connection between his mind and his body. The biomechanics, form and almost three decades of increasing poundage has allowed Greene to generate complete fibre recruitment of every muscle in every workout. No action goes to waste. Every contraction of the muscle is deliberate and a by-product of intense visualization. It is a fluid orchestra of movement.

 > When Greene is doing t-bar rows or seated pulley rows he visualizes not just on the pull toward his chest, but on meeting his hands with his chest halfway through the movement. The result is more lat recruitment and space for contraction. If you can imagine pulling your elbows with your back instead of pulling the weight with your elbows you will begin to understand his visual process.

> When Greene is doing lat pulldowns, he is not just going through the motions of keeping his elbows forward and pulling the bar down to his chest with his lats. He is subtly rolling his scapula back at the same time and rolling it forward on the way up. This creates maximum recruitment and full range of motion, also helping him stay loose and impingement free.

> When Greene is doing a bench press or narrow grip press he is pressing the weight with an arc, driving it back and slightly over his eyes, while maintaining a slight arch between his shoulder blades and glutes. All of these actions contribute to taking the stress out of his front deltoids and moving it into his pecs.

> When Greene is performing straight-legged deadlifts he is focusing the tension on his glutes and away from his lower back, something that is very difficult to accomplish. He pushes the outsides of his feet laterally into the floor, flexing his entire lower body, then commences with the stiff-legged movement.

> When Greene is walking on the treadmill during his daily warm-up, he is flexing his glutes and hamstrings on the back end of each step. This consistent, detailed focus enhances his mind to muscle connection, creating pathways that allow him to more efficiently stress his muscles with the resistance to come.

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